Mamma Mia! Here We Go Again Is Donna Dead
- INSIDER spoke to "Mamma Mia: Here We Go Again" director Ol Parker nearly the complicated "Dancing Queen" scene, which involved fourteen boats.
- Parker said that Colin Firth and Stellan Skarsgård aren't expert dancers, so they changed their choreography for the boat scene the night earlier shooting.
- Parker as well confirmed why Meryl Streep's character Donna was killed off for the sequel, and why the movie doesn't clarify how she died.
- "Mamma Mia: Hither We Go Once again" is available on digital, DVD, Blu-ray, and On Demand at present.
Ol Parker, the director of "Mamma Mia: Here We Go Again," fabricated the near delightful movie of the summer that audiences and critics loved.
INSIDER spoke to Parker leading up to this calendar week'south DVD, Blu-Ray, and On Demand release near the circuitous "Dancing Queen" sequence that involved 14 boats, and the decision to impale off the master graphic symbol.
"Here We Get Once again" tells two stories from two different fourth dimension periods. In the nowadays, Donna, played by Meryl Streep in the original 2008 "Mamma Mia," has passed abroad. Her girl Sophie (Amanda Seyfried) is running a hotel from the Greek Isle where they lived together. The other story, set thirty years before, shows how Donna (played by Lily James) met Sophie's three "dads," ultimately leading to Donna settling in Hellenic republic, pregnant with Sophie.
Late in the film, Cher, who plays Donna's mother and Sophie's grandmother, shows up on the island and sings the iconic ABBA vocal "Fernando" with Andy Garcia, a moment that fabricated audiences everywhere scream with excitement.
Parker also told INSIDER how Meryl Streep's involvement in doing the sequel with her grapheme dead got the rest of the original cast to practice the movie. And some of them said aye without even reading the script.
This interview has been edited and condensed for clarity.
Carrie Wittmer: Could you walk me through the process of making a sequel ten years after?
Ol Parker: There was always a massive want for a sequel. The studio couldn't have wanted it more given how much money the original made. But immediately, there was just a struggle. Not every story needs another chapter. So they couldn't actually find a proper version that actually made dramatic sense. And all of the cast, Meryl in particular — none of them wanted to do it. They were all very proud of the first one and what information technology had accomplished and how it had made people feel. And then they didn't but want to prove up. Meryl was never going to do that.
Wittmer: Interesting. How did you get involved?
Parker: Because they were desperate and I was cheap, I think. And I suggested that Meryl's character exist dead in it, and that nosotros make the picture at least in part near getting over the loss of her.
Wittmer: Did Donna being dead make Meryl a little more into the thought of a sequel?
Parker: We talked to her about it, and she was delighted. The news that Meryl was in was brilliant to the residue of the cast and bright for me, plain, because they all committed straight away. Some of them without reading the script.
Wittmer: In the flick you don't reveal how Meryl's character Donna died. Do you know how?
Parker: Yes. And we included the cause in diverse different drafts. It's just if you employ the word "cancer," information technology kind of becomes the whole scene. I talked with Amanda [Seyfreid] and Pierce [Brosnan] about how information technology had gone and how long it had taken for Donna to die, and we all felt that the characters had time to become used to information technology while information technology was happening. It wasn't sudden, it wasn't a drowning or something. Then, something slow.
Wittmer: One thing I love about "Hither We Go Once more" is the employ of some of ABBA's less popular songs, like "Andante, Andante" and "One of Us."
Parker: I basically did the picture to please my mum.
Wittmer: Was information technology hard to pick what songs to use?
Parker: I mean, you can't do information technology without "Dancing Queen," and obviously the movie is called "Mama Mia." Just when I first went to Stockholm to met Benny Andersson and Bjorn Ulvaeus [of ABBA], they said, "We would dear for the songs to serve the plot and bulldoze the plot." And so I merely idea if I just chose the all-time song for the drama rather than the nigh well-known song and so that would be great. "I've Been Waiting For Yous" is very little known, but I just thought it was absolutely beautiful and I had the idea of Amanda singing it while Lily gives nativity. And Bjorn rewrote the lyrics very generously to make information technology more connected to what you're watching, which he also did at the stop with "My Love, My Life."
Wittmer: I didn't even find the lyrics were rewritten. How did you incorporate "Fernando?"
Parker: I just wanted the song. I mean, Andy [Garcia], his character Fernando was invented then that Cher could turn to him and sing, "Fernando." He was invented in contrary for that moment. So unlike songs for different things. But in general, the idea was to effort and make them drive the narrative a bit more like a musical than a jukebox musical.
Wittmer: At that place'due south a lot of complicated choreography in these musical sequences. I'yard thinking specifically of "Dancing Queen," which involves many, many boats. What was information technology like to movie that?
Parker: I was admittedly delighted, but horrified to exist offered the chore ii months after I'd handed in the script. Considering it suddenly became my problem, having merrily written, "Yep, 14 boats, information technology'south gonna be great! Fabulous!" So I find myself in a helicopter looking at 14 boats thinking, "Okay." But yeah, information technology was complicated. My chief way of directing is to rent really expert people and and so get out of the way and allow them be brilliant. I had a really expert team. They took really good intendance of me. And everyone was really committed and the actors were all in, as you tin can tell. So it was a ridiculously fun shoot. Embarrassingly fun.
Carrie: It's amazing. I can't get Colin Firth and Stellan Skarsgård spooning each other on the gunkhole out of my head.
Parker: Colin and Stellan were slightly worried well-nigh dancing, considering they're non great at it. We were talking the nighttime earlier shooting, and they'd apposite the dances on the gunkhole. But information technology simply wouldn't accept looked keen. I was similar, "just hang from the rigging. Take fun. Merely take fun." And they had a brawl. They were laughing all the way through it and it turned into an incredibly happy twenty-four hour period for them, which is not what they were expecting. If they're having fun then nosotros will. That was my hope, anyway.
Read More:
12 surprising things you probably didn't know about the 'Mamma Mia' movies
THEN AND At present: The cast of 'Mamma Mia' 12 years later
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Source: https://www.insider.com/director-of-mamma-mia-2-reveals-how-meryl-streeps-character-died-2018-10#:~:text=Parker%20also%20confirmed%20why%20Meryl,ray%2C%20and%20On%20Demand%20now.
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